Second Sunday of Advent C
Dave
Brubeck died last Wednesday,
one day shy of his ninety-second birthday.
one day shy of his ninety-second birthday.
Most
people are remembering him as a modern jazz legend;
far
fewer people realize he was an adult convert to the Catholic faith.
Dave
Brubeck’s father was a cattle rancher;
his
mother gave piano lessons.
His
original intention was to follow in dad’s footsteps, not mom’s.
He
grew up in a nominally Protestant home,
but
Dave was never baptized and religion wasn’t discussed.
His
only contact with the Catholic Church as a child
was
when a friend—an altar boy—invited him to Mass;
he
wasn’t much impressed.
What
Dave witnessed as a soldier in World War II
and
learned as a liberal arts major in college
got
him thinking about religion.
At
a time when much of the world was asking, “Is God dead?”
he
started thinking, “Something should be done musically
to
strengthen man’s knowledge of God.”
Dave
was asked in the late 1970’s—
following
the revisions of Vatican II—
to compose
music for the texts of the Catholic Mass in English.
Reluctant
to take the job,
he
brushed it off for nearly two years;
since
he wasn’t Catholic, he didn’t feel qualified.
After
his Mass premiered—to much acclaim—
a
priest came up to him and said,
“I loved your Mass, Dave…but you left out the Our Father.”
“I loved your Mass, Dave…but you left out the Our Father.”
“What’s
the Our Father?” Brubeck replied. “I’m not a Catholic.”
The
priest explained the prayer and it’s importance.
“Well,
nobody told me to write it,” he answered, “so I didn't write it.
I'm
finished with the Mass,
and
going with my family to the Caribbean.”
But
on the second night of his vacation, Dave had a dream:
it
was the music—orchestra and chorus—for the Our
Father.
“I
wrote down as much as I could,” he said.
“And
after that dream, I decided I would become a Catholic.”
Although
his wife and children didn’t understand it,
Dave
Brubeck was baptized in 1980 at the age of 60.
“I
joined the Catholic Church,” he would say,
“because
I felt, somebody's trying to tell me something.”
What
is it that draws people to Christ and to his Church?
For
some folks, it’s a search for truth.
Take—for
instance—John the Baptist
and his call to repentance.
and his call to repentance.
John’s
attempt to straighten what is crooked
and level what is rough
and level what is rough
is unvarnished
truth-telling.
Informing
people of their need for conversion,
that
they ought to turn their lives around—
John’s
mission still alive in the Church today—
isn’t
exactly pretty…but it draws a crowd:
some
people merely curious,
but many eager to hear more.
but many eager to hear more.
Even
when the answers
to our questions aren’t easy,
to our questions aren’t easy,
the
truth has enduring appeal.
Saint
Paul prays for the Philippians
that
“the [God] who began a good work in you
will bring it to completion.”
will bring it to completion.”
You’d
be hard pressed to find a more
potent, orderly, and genuinely compassionate
charitable organization in the world
potent, orderly, and genuinely compassionate
charitable organization in the world
than
the Catholic Church.
For
two millennia,
we’ve continued to do good—
we’ve continued to do good—
better
yet, we’ve continued to allow God
to
accomplish good through us—
because
Christ gave us a new commandment:
“Love
one another as I love you.” (Jn 13:34)
Many
come to believe
because they want to be part of that goodness.
because they want to be part of that goodness.
For
centuries, the Church was a leading patron of the arts.
Many
of the masterpieces of Western culture—
in painting
and sculpture, architecture and music—
were
not only inspired, but paid for, by the Catholic Church.
As
much as preaching and teaching,
as
much as generous works of mercy,
the
advancement of beauty was viewed as a vital part
of
the Church’s mission.
But
not so much anymore.
Oh,
it happens with truth and goodness, too;
But
I think it’s even more prevalent with beauty these days:
how
quick we are to settle for what’s simply cute or fashionable.
We
hear the same arguments in the Church
as in school budget talks:
as in school budget talks:
“The
arts are luxuries.
They’re
not only non-essential; they’re expensive.”
Such
comments bring to mind the gospel question,
“Why
all this waste?
Couldn’t the money be given to the poor?” (Mt 26: 8-9)
Couldn’t the money be given to the poor?” (Mt 26: 8-9)
Of
course, we must recall
And
so the fundamental place of beauty in our Catholic faith
has
been largely neglected of late.
The
prophet Baruch points us in a very different direction.
Writing
to a people far removed from their native soil—
kept
apart from the majesty of the Promised Land,
its
holy city and magnificent Temple—
Baruch
foresees a day when the Lord will bring them back:
when
the desert of their dispersion
will
be transformed into a flourishing forest.
put
on the splendor of glory from God forever!”
God’s
people will again be at home in beauty.
If it’s
the Church’s mission to teach the truth that comes from God;
and
if it belongs to the Church to be good as God is good,
then
oughtn’t the Church also reflect God’s all-surpassing beauty?
Shouldn’t
the splendor of the Lord’s glory shine through us?
That’s
why—my friends—our churches
shouldn’t
look like other buildings,
but
have spires and stained glass
and
decorations for feasts and seasons.
and
why priests wear elegant vestments when offering Mass.
That
why the music for the liturgy shouldn’t sound
like
what’s playing on our radios and iPods.
In
shape, color, and form,
in
harmony of proportion and sound,
we
are to bring before every human sense
a
glimpse of a beauty that is not of this world.
Maybe
even more than truth and goodness,
real
beauty attracts.
Did
it not once invade the dreams of a modern jazz pianist?
We
expect our Church’s teaching to be true.
We
expect our Church’s actions to be good.
(And
when they fall short of these expectations,
it’s
a scandal—and rightly so.)
Should
we not also expect our Church—
especially
in its worship of God—
to
be truly and undeniably beautiful?
It’s
been said that the world
will
be saved by beauty. (cf. F. Dostoyevsky)
Many
would say that’s an exaggeration…
…but
I bet Dave Brubeck isn’t one of them.
In
studying a work of art,
one
learns much about the artist who fashioned it.
In what
we say and do, in what we sing and play,
in what
we design and create,
may
the Author of all beauty be revealed—
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